:: videoart :: performance :: installation

Interest field:

• revealing of the new forms at the border of new technologies and classical art tools;
• explore and develop the narrative tools in time-based art;
• looking for the traces of archetypal themes in modernity and catch the culture phenomenons;
• research the language and human psycho-mechanisms as the time codes.

:: FHD, duration: 16'

In the future the Cultural Foundation of the Humanity is destroyed. There is alternative currency – a story, drama has gone up in price.
Five people come to dine to a theatre cafeteria, paying for their meals with stories, on the basis of which the theater will later stage performances. The real drama of two people is estimated in food and converts into
a performance. Someone is going to die. The
Memory is a stage, gallery and movie theatre.

Expositions:
Documentary Film Center,
Moscow (Russia), 2017
exbn "Noize" - gallery "Sareevo",
Moscow (Russia), 2018
showcase+artist-talk - gallery "Vorota",
Kaliningrad (Russia), 2018
exbn "Cinema Night" - gallery "Electromuseum",
Moscow (Russia), 2020
exbn "Wow! Fantastic" - gallery "Khodynka",
Moscow (Russia), 2021
festival "Videoclub" - S. Kuryokhin Art Center,
St.-Petersburg (Russia), 2021

POSTMEDIA

The animated film was created using several AI and classical animation tools by the principle one-man-studio.
The plot is inspired by the story of the "Glass House", created by architect Ludwig Mies van der Rohe, and cross the theme of memory.

:: video, duration: 2'58''

home

Expositions:
festival "Insomnia" - Kaluga (Russia), 2023
festival "Koroche" - Kaliningrad (Russia), 2023
festival "Nur" - Kazan (Russia), 2023

:: FHD, duration: 8'35"

There is a representation of distorted perception of the government news by the the exclave territory residents. It's impossible to determine the civil position due to the unique geographical location, what makes it a kind of lounge-zone. The intro with consequent automatic anthem translation, which transforms it to the grotesque absurd verse, reflects an anesthetic distance at zero-empathy to the perpetual country's drama.

Expositions:
exbn "Postfactum" - museum Manege,
Moscow (Russia), 2016
personal artist-talk - gallery "Vorota",
Kaliningrad (Russia), 2016

Collective
Conscious

There is a deconstruction of the main dramatical plot phenomenon on the folk tales base — the miracle, which save the hero and change his destiny. We know this tales from childhood and used to wait the Miracle, this is a part of national character, we got it from this tales. We used to be passive and wait, that external power will solve the problems. I offer to imagine the destiny of the tales' heroes without that saving miracles, which appear near of them, but that heroes don't make any movement to catch them. Life becomes the eternal expectation.

:: 5 looped video :: collage :: animation

Expositions:
exbn "Artpyrexia" - gallery "Borsch",
Moscow (Russia), 2019
exbn "The boa swallows" - gallery "25th frame",
Moscow (Russia), 2019
exbn "Reverse perspective" - festival "Art subject",
Vladimir (Russia), 2018
exbn "Cemetery dialogue" - gallery "Fragment",
Moscow (Russia), 2017
ebn "Lifehack" - Rodchenko Artschool,
Moscow (Russia), 2015

Miracle

At the big events like festivals I offer to visit the blackbox with light ASMR-sound to lay down on my knees and stop to consume the art as a content. I just touch the head and give a delicate attention to the person. At my back all rest visitors watch the unfocused landscape, mixed with the multiplied word "text" as a sign of any sense or idea. To see the micro-detail in focus you should come extremely close. I ask the person, who feel my touches:
- Are you interested in the content on the screen?
This performance was exposed in the frame of laboratory "Postdrama" - theatre Praktika, Moscow (Russia), 2019

:: performance + video, duration: 32'

attention

At the case of the multiplying scientific knowledge and inexhaustible archive mastering, there is a feeling of lack of lack and limited intellectual resources. The search for the entry point into "knowledge" regularly ends with surrender in the form of a return to simple known things that lose their previous meaning with new data. How to find a method of remembering when the skill of long-term storage is lost? The subject is objectified when the value is lost. The process of cognition becomes a series of short spiral races with a fall - "grounding". Rotation.










Expositions:
laboratory "Postdrama" - theatre Praktika, Moscow (Russia), 2019
group exbn "A drill" - gallery "Winzavod", Moscow (Russia), 2019

:: installation + video, duration: 8'27"

Dynamic
machine

:: performance in 3 parts, 10' each

Contour-Model

With my partner Nikita Petrov, who practice butoh choreography, we perform the action on the festivals between another shows. I reflect here the phenomenon "empty body" and skin as a hollow contour, which fills up by the shows impressions. The Model transforms to body, gets the face and eyes, he finds a consciousness as a language, as a word.

Expositions:
laboratory "Postdrama" - theatre Praktika, Moscow (Russia), 2019
festival "Museums Night" - The museum of M. N. Yermolova, Moscow (Russia), 2019
Interview about this performance (please, use translator, it's in Russian):
https://lubimovka.ru/blog/615-my-sostykovalis-na-slove-zhutkoe

Exposition:
30th Festival of Dramaturgy "Lubimovka" - Theatre.doc, Moscow, (Russia), 2019
Here you can read the interview about this performance (please, use translator, it's in Russian):
https://lubimovka.ru/blog/738-zhdyrva

Especially for the festival I made this performance and videoart on the play-base of Elina Petrova and Boris Pavlovich "Ne Zrya". I reflect the phenomenons of the vision and a language as a vision code. I reconstruct the text to the rhythmic score and include author as a blind key-figure. Videoart represents the Eye as a greedy subject. By the extra-stream of the information I offer to onlooker to recognize this greed as his own psycho overload.

Unvis

:: Performance + videoart, duration: 28'

Expositions:
festival "Diazavr" - space "Do Culture",
Moscow (Russia), 2019
exhibition "Artpyrexia" - gallery "Borsch",
Moscow (Russia), 2019
festival "Videoclub" - S. Kuryokhin Art Center,
St.-Petersburg (Russia), 2021

:: 35mm film, animation
:: duration: 5'36"

The Keeper

The story about three-eyed person, who was dreaming to see a masterpiece. She broke the law to choose the museum as a lifelong prison and started to wait an exhibition with that picture. In old age she watched the picture and felt first powerful-destructive orgasm. She died. Or transgressed.